Subtitle
Intersecting Discourses in Rosa Luxemburg
Document Type
Article
Abstract
Margarethe von Trotta's 1986 film Rosa Luxemburg offers a cinematic portrait of a historically significant female revolutionary, one of the central figures of 20th century socialism. The film attempts to reclaim this figure as historical subject, as feminist subject, and as a cinematic subject for contemporary audiences for whom socialist and feminist history has been lost or suppressed and for whom cinema is articulated within mainstream conventions.
Citation
Dagle, J. (2004). Cinema/History/Feminism: Intersecting discourses in Rosa Luxemburg. Literature And Psychology, 49(4), 27-42.