Document Type
Honors
Department
English
Abstract
Argues that A.A. Milne's Winnie-the-Pooh and The House at Pooh Corner represent the conscious rejection, unconscious reproduction, and re-imaging of the author's traumatic Victorian childhood.
Recommended Citation
Bright, Laura E., "Idealization and Desire in the Hundred Acre Wood: A.A. Milne and Christopher (Robin)" (2010). Honors Projects. 41.
https://digitalcommons.ric.edu/honors_projects/41
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