Document Type

Honors

Department

Film Studies Program

Abstract

Explores the idea of the Hollywood narrative through an analysis of two Hollywood ensemble films by filmmaker, Paul Thomas Anderson: Boogie Nights and Magnolia. Considers the question of the existence of a "new" Hollywood narrative in these films.

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Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License.

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