Submissions from 2023
"Morality Sucks": The Final Generation in 1980s Horror Cinema, Lily Mae Bruscini
Submissions from 2019
"You see, my wife's dad is real well off" -- Money Obscured in the Coen Brothers, Sarah Mae Fleming
Submissions from 2016
Manifestations of Masculinity in Crisis: The Noir Films of Humphrey Bogart, Jason Marzini
Mutual Aesthetics, Joseph D. Sherry
Submissions from 2013
The Elusive Eastern Film Corporation of Providence, Rhode Island: Resurrecting a Footnote in Film History, Adam Tawfik
“Citizenship in a Nightmare Country:” German Expressionist Film and Freud’s Dream Theory, Erica Tortolani
Submissions from 2009
"New" Hollywood Narratives: an Analysis of Boogie Nights and Magnolia, Andrew C. Cate
Submissions from 2008
"You're Tearing Me Apart"! Investigating Ideology in the Image of Teens in the 1950s, Danielle Bouchard
"What It Takes to Be a Man": A Comparison of Masculinity and Sexuality in Rebel without a Cause and River's Edge, Alyssa Costa
Submissions from 2006
Slashing the Complacent Eye: Luis Bunuel and the Cinema of the Surrealist Documentary, Caroline Francis