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Submissions from 2023

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Becoming Body in Euripides: Affect and Object in Bacchae, The Trojan Women, and Hecuba, Olivia Kulczycky

Submissions from 2022

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San Francisco: A Love Affair, and Other Essays, Ellen J. Taylor

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Parenthetical Elsewhere(s), Nathan Thomas Veloso

Submissions from 2021

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Hidden Voices, Alexandra Sydney Ashe

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Mad Men, Troubled Mothers, and Scarred Children: Representations of Traumatic Parent-Child Relationships in Mad Men, Katarina Dulude

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"I Did Not Plant the Seeds Too Deeply": Intergenerational Trauma and Shame in Toni Morrison's The Bluest Eye and Edwidge Danticat's Breath, Eyes, Memory, Grace Ann Kimmell

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Between the Axe and the Anvil: Internal Reconstructions of Modern Subjectivity in Alfred Döblin's Berlin, Alexanderplatz, Zachary Lopez

Submissions from 2020

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Minorities of One, Alexander C. Langlois

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Other Worldly Glimpses, Jordan Payeur

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Love, a Friend, Christine Quiroz

Submissions from 2019

Tales as old as time: Beauties and their Beasts from History through the Modern Age, Brittney Donahue

Submissions from 2018

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Waving the Red Flag, Christopher Cassaday

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Writing Voice and Character for the Page and Stage, Remson DeJoseph

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There Will Be Oil: The Celebration and Inevitability of Petroleum through Upton Sinclair and Paul Thomas Anderson, Sarah Mae Fleming

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The Evil Mad: Villainous Neurosis in Batman, Chelsea C. Riordan

Submissions from 2017

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Carmilla's Creampuffs, Amanda Irwin

Submissions from 2016

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"When Thou Art A Man": The Contingent Gender Identity of Shakespeare's Page-Boy, Heron Kennedy

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"I Am Not Certain I Will / Keep This Word", Victoria Parker

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Awake and Asleep: The Words I've Dreamt, Carolina Sanchez

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Don't Tell My Mother, But..., Macie St. Jacques

Submissions from 2015

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HE, Jessica Bourget

Submissions from 2014

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The Empty Gallery, Gabriel Morrison

Submissions from 2013

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The Buried Seed: Generational Narcissism in D.H. Lawrence's The Rainbow, Christine Dennen

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Gender and Ideology in Disney's Beast Fables, Stephanie Mastrostefano

Submissions from 2012

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The Unlovely: Disease, Consumption and Sex in Alasdair Gray's Lanark, Julianne Smith

Submissions from 2011

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Old Made New: Neil Gaiman's Storytelling in The Sandman, Sara Reilly

Submissions from 2010

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Idealization and Desire in the Hundred Acre Wood: A.A. Milne and Christopher (Robin), Laura E. Bright

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Car Trouble and Other Stories, Adam R. Charpentier

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y = mx + b(eauty), Chris Dollard

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You Gotta Move: Three Short Stories, Lori Freshwater

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"Play Along" with the Authors: Half-Life 2, BioShock, and Video Game Narrative, Samy Masadi

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Kindness: Two Stories, Art Middleton

Submissions from 2009

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Jane Austen's Persuasion: a Study in Literary History, Katherine Nadeau

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Putting the Spotlight on Smaug, Casey Pellerin

Submissions from 2008

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"So I Shall Tell You a Story:" The Subversive Voice in Beatrix Potter's Picture Books, Veronica Bruscini

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Fontana Hall and Other Stories, Vincenzo Lucciola

Submissions from 2007

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Language, Gender and Identity in the Works of Louise Bennett and Michelle Cliff, Nicole Branca

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"Twinned Brothers": the Parallel Personalities of Timon and Hamlet, Amanda Machado

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Living with Dying: Grief and Consolation in the Middle English Pearl, Karen A. Sylvia

Submissions from 2005

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Textual Possession: Manipulating Narratives in Wilkie Collins's Sensation Fiction, Kieran Ayton